Finding Joy and Rocks

Kamas, Utah, 2022. I had just arrived at the conference center and happened to look down at the ground to discover this guy smiling up at me:

I picked it up and looked at the back:

That could only mean one thing. My friends Paul and Cara Tracy had arrived at the legendary Escape Adulthood Summit, put on by my friends Kim and Jason Kotecki and their amazing family and team. Over the past couple years, Cara has perfected the art of rock painting, and leaving them in their part of Arizona for people to find and adopt. Now she had brought some of her joyful shenanigans to Utah. Further examination of the grounds revealed more faces smiling up at me, such as this guy:

How can you not smile when the rocks are smiling at you like that? I ask you!

I kept the orange one and let others claim the rest. Kim and Jason's younger daughter Ro had also left rocks of her own around, so I got one of those too. They now hold places of honor at my desk. I brought googly eyes that I left everywhere for people to find. Shenanigans shenanigated.

I found Paul and Cara, and after hugs all around, we talked excitedly. Their child-like joy is contagious. Cara (rhymes with Sarah) is a yoga instructor and speaker liaison in Arizona. Paul is Director of Operations at JusticeTrax, a software company specializing in forensics and law enforcement. He is also an accomplished Lego architect.

Left to right:
Kim Kotecki, Cara and Paul Tracy

As Cara has perfected her art and left rocks for Arizonans to find, she has posted pictures of many of them. These are just a few of the many:

Rocks and photos by Cara Tracy
Used with permission

Inspired by Cara's art, in addition to my friend Kevin Tuerff and the amazing people of Gander, Newfoundland, I painted rocks of my own last summer (some of them obtained in Montana in May) in preparation for a subsequent trip to New York. I was in Utah at the beginning of August, and the following month I was in New York. 2022 was an eventful year! I went with a Broadway theme. I trust they found good homes!

Rocks and photos by Steven Sauke
Left at the WTC, Battery Park, Lincoln Center,
Central Park, Times Square, and elsewhere in Manhattan
(I also left one, not pictured, on Staten Island)

In addition to her amazing rocks, Cara also posts daily pictures of things that make her happy. It could be her rocks, an amazing cactus, a picture of Paul, a heart she found in nature, her yoga practice, and a multitude of other things. You can follow her on Instagram at @azjoyfinder. Her joy is contagious, and she continues to inspire me.

What is it about you?

Part 2 of my New York blog...

Skyscrapers, taken in Central Park

"When we left off last night, the hideous dragon had carried the maid to his cave by moonlight, he gnashed his teeth and breathed his fire. The heath quaked and we trembled in fear!"

Oh wait, wrong musical. This is where we left off. I did not see The Secret Garden (which the above quote is from) in New York, though I did see it in Seattle a few years ago on tour!

Anyway, moving along... 😀

Broadway Flea Market

The morning of September 25 found us back on Broadway attending the annual Broadway Flea Market, where they sell all kinds of things related to shows and all proceeds go to Broadway Cares/Equity Fights AIDS. It was quite an experience. Near the beginning I caught a glimpse of Jeremy Jordan. Many shows had booths. There were old programs, merch, used props, and more. The Kite Runner booth had cloth items made by women in Afghanistan, where the play is set. (I sadly missed that show, which I was hoping to see.) The Some Like it Hot booth (another show I didn't get to see) was giving away bottles of water. At the Aladdin booth, in addition to buying a signed Statue of Liberty prop used by the Genie (see my previous post), I got to meet Jasmine (Sonya Balsara) and get my picture with her! I mentioned that I had seen her in the show the previous night, and that she was amazing. She appreciated that.

At the Come from Away booth, I got to meet Sharon Wheatley (who played Diane) and Astrid Van Wieren (Beulah). I feel honored to have now met all three women they portrayed (the character of Beulah Davis is inspired by Beulah Cooper and Diane Davis) and the super talented women who originated their roles on Broadway. Sharon Wheatley signed her book Drive: Stories from Somewhere in the Middle of Nowhere for me. Astrid Van Wieren signed a Come from Away button.

With Sharon Wheatley

With Astrid Van Wieren

At the Stars in the House booth, the four of us admins from Broadway Remembered got our picture with Seth Rudetsky and James Wesley. I also bought a couple small paintings by their very talented daughter Juli.

Me, Jeremy Sunderland, Seth Rudetsky,
Melly Garcia, Michael Kape, James Wesley

Shortly after leaving their booth, I very nearly literally bumped into my old high school friend Barzin Akhavan, who I haven't seen since high school, and has been in the cast of The Kite Runner. He is also in an upcoming movie (he told me the title, but I forget), and has been in a lot of productions on the stage and screen. He has been involved in The Kite Runner since its inception. I performed with him in our high school production of Oklahoma!, and he later reprised his role of Ali Hakim in an Oregon Shakespeare Festival production. As we were passing each other at the Flea Market, I said, "Barzin!" His scream of delight and big hug took me by surprise, and was truly amazing. Here he was, a Broadway star, greeting me like I was the star and he was the fan. It meant a lot to me. After we had hugged and talked a bit, I introduced him to the others (who we had to find in the crowd). We then arranged to meet and talk some more the following day.

With Barzin Akhavan
Photo by Michael Kape

I left four rocks during the Flea Market: "Climb every mountain" from The Sound of Music, "Hygge" from Frozen, a second "Paciencia y fe" rock from In the Heights, and "Welcome to the Rock" from Come from Away.

Speaking of Come from Away...

Come from Away

Following the Broadway Flea Market, the four of us attended Come from Away, shortly before it sadly had to close. Most of the cast (though not everyone) was the original Broadway cast, and we were near the front. I was struck how some of the trees had grown root systems during the run. You can see it in the bottom corner of this picture:

It was amazing seeing it on Broadway with (mostly) the original cast. This was the fourth time I saw it onstage (the first three times were in Seattle). It gets me every time. It is such a powerful show, and it's such a shame it had to close a week later. I was hoping this would be able to go for years more.

Manhattan and Central Park

The following day I returned to the Harry Potter Store, and left a rock nearby ("To life, to life, l'chaim!" from Fiddler on the Roof). I walked up the street, as my appointment with Barzin was coming up. On the way to Central Park, I passed the Empire State Building (I hope to go in next time I go):

As I arrived at Central Park, I found it is a lot bigger than I realized. I went in the southeastern corner and walked through the zoo. I did some exploring in the park and left two rocks: "My corner of the sky" from Pippin (I loved that someone was gonna find "my corner of the sky") and "You will be found" from Dear Evan Hansen. I really must do more exploring next time I go. 

I was struck by the buildings all around. Barzin and I exchanged texts to arrange where to meet, and so I walked from the southeast to the southwest corner of the park. We sat on a bench and caught up, and then we proceeded to the Lincoln Center, where we sat in the courtyard and talked. I left my favorite rock there, with a quote from Les Misérables ("Even the darkest night will end and the sun will rise"): 

After meeting, we both had plans on Broadway. I was to see Six, and he had to get to The Kite Runner. We both took the subway to Times Square, where we parted. I had a bit of time to kill before my show, so I explored the Disney Store.

Six

"Remember us from PBS?"

Six is the "histo-remix" of the story of Henry VIII's six wives. It is told concert style with the six of them onstage with their "ladies in waiting" (the band) on risers behind them. Each tells their story, initially as a competition to see who had it the worst. It recently crossed the Pond from London, and it is unlike any other show I have seen. It masterfully and creatively injects interest, humor and music into a very serious story. It tells how each wife was respectively "divorced, beheaded, died, divorced, beheaded, survived." While it starts out as a competition, part of the lesson of the show is that these tough times are not a competition. Four were rejected for various reasons, one died in childbirth, and the last was with him to the end of his life. Each performer did a fantastic job of recounting her story. I also love how they acknowledged and introduced each member of the band.

Metropolitan Museum of Art

The following day, my friend Melly treated me to a tour of the MET (Metropolitan Museum of Art). I will need to go back next time, as we hardly scratched the surface of what is there, but she gave me a tour of many of the paintings. I was particularly fascinated by this one by Elisabeth Louise Vigée Le Brun of her daughter Julie, creatively presenting two perspectives of her in one painting:

Melly and I had lunch in the museum's cafeteria, and then she had to leave, but I proceeded to explore the gift shop and the Greek and Egyptian wings. Mythology and ancient art fascinates me.

Staten Island Ferry and Statue of Liberty

My next goal was to take the Staten Island Ferry and see the Statue of Liberty from closer up than I had seen it from Battery Park a couple days previous. I proceeded to the ferry terminal, which is near Battery Park, and boarded the ferry. It reminded me of the ferries on the Puget Sound, except it's smaller and doesn't have a place for cars.

It was a beautiful day to be on the water. Looking behind, I had spectacular views of Manhattan and surrounding. To the side, I got a great view of the Statue of Liberty. I hope to go to Liberty Island next time.

Upon arrival at Staten Island, I did a little exploring and left my last rock ("Hakuna matata" from The Lion King) and then returned to Manhattan. It was a bit of a rush to get back to Times Square for the show, but I just made it!

Harry Potter and the Cursed Child

While I have issues with the plot of Harry Potter and the Cursed Child, it is worth going for the effects alone. It almost looks like they are actually performing the spells onstage, and at times I wondered how they did it. The set and effects are mindblowing. In my opinion, the plot is best described by a quote from Doctor Who: "wibbly-wobbly, timey-wimey...stuff." It is the story of Harry's son Albus and Draco's son Scorpius forming an unlikely friendship and creating a big mess with the noblest of intentions. It was originally in two parts, but due to the pandemic was shortened into one show for Broadway. 

Hadestown

The following day, after I visited Hershey's Chocolate World in Times Square, Melly and I went to see Hadestown. It is the Greek tragedy of Orpheus going to the underworld to rescue his love Eurydice, told with New Orleans style music. It was mostly the original Broadway cast. Of the main characters, only Hermes (Lillias White) and Persephone (Jewelle Blackman) were different, and they were fantastic. Reeve Carney was an excellent Orpheus, Eva Noblezada was amazing as Eurydice, and Patrick Page killed it as Hades. I don't see many shows with a strong bass, but Hades is one such part. The set was simple yet complex. My only issue was that, though we had amazing seats, they were right in front of the stage, which would normally be a great thing, and it was great being able to see them so close...but a large portion of the show uses dry ice, which pours off the stage and into the first few rows. I thoroughly enjoyed the show, but smelled like dry ice afterwards. I would recommend sitting a bit further back if dry ice is an issue for you.

Into the Woods

After a visit to M&Ms World and a fantastic Cuban dinner, the four of us met to see the revival of Sondheim's Into the Woods, a mashup of several classic fairy tales that combine into a powerful and rather heavy second act. It was a who's who of Broadway actors, including Stephanie J. Block (Baker's Wife), Sebastian Arcelus (Baker), Gavin Creel (Cinderella's Prince/Wolf), Joshua Henry (Rapunzel's Prince), Krysta Rodriguez (Cinderella) and more. While it was fully acted, it reminded me of a concert style, as the orchestra was in the center of the stage and the set was very simple. Milky White was a brilliantly-designed puppet and more expressive than I've ever seen her. She pretty much stole the show. Her puppeteer (Kennedy Kanagawa) was just as expressive. I also loved how the giant was portrayed by two massive shoes (one of which was also operated by Kennedy Kanagawa) tromping around the stage with the help of two puppeteers. The voice of the giant (who also played Cinderella's mother) walked to the center of the stage behind the orchestra and you could see her talking from a distance. In other productions I've seen, she is completely offstage, except when you see her feet at the end.

I was sad to have to leave, but New York was an amazing experience. It was truly "one short week in the [Bi-i-ig Apple]!" I hope to return sometime. (Back to the Future opens on Broadway this coming June, after all!) It was also a personal record for the most live shows I've seen in one week. 

Thank you from the bottom of my heart to everyone who helped make this trip possible! It was amazing, and a highlight of my year!

NYC

 

Manhattan, taken from the Staten Island Ferry

All my life I have wanted to visit New York. Since childhood I have been a fan of Broadway. The past few years I have been a blogger for the Facebook group All Things Broadway (2018-2020), and an admin for the group Broadway Remembered (2019-present). Broadway Remembered is a growing group (currently with about 53,000 members), and as of earlier in 2022, I was the only admin who had never actually been to New York. The closest I had been was Washington-Dulles Airport on the way to France in 1999. The other admins generously helped me to fix this problem, and I finally got to achieve a lifelong dream in September 2022.

I was scheduled to see The Phantom of the Opera the evening of September 22. With plane delays and transportation issues, it was a bit of a tight squeeze, but with my host Michael, we were able to make it on time. As this has been one of my favorite musicals since childhood, I thought it would be an appropriate first musical on Broadway.

We got off the subway and came up to Times Square. I was blown away. I had seen pictures, video, seen the ball drop at New Years Eve on TV, and so I knew what it looked like, but nothing could prepare me for the sense of awe I felt. It had always been on a TV or computer screen, in magazines, books and other sources. But this time it was all around me. Screens were everywhere advertising products, TV shows, restaurants, Broadway shows, and more. They have a Disney Store, Hershey's store, M&M's store... Of course, we didn't have a lot of time to take it all in due to the rush to get to The Phantom of the Opera, but it was still an amazing experience.

The Phantom of the Opera

It was indeed an excellent first show on Broadway. I saw the show in Seattle on tour a few years ago, and I have seen the movie and the 25th Anniversary filmed production. But to see it on Broadway was an amazing experience. The sets were similar to how they were in Seattle, but more lavish. I figured they were able to do more, as the show has been in the Majestic Theatre over 30 years now, as opposed to a touring show that is only there for a few weeks. Performances were amazing.

After the show, we were planning to meet the other admins, Jeremy and Melly, at Sardi's just across the street. However, they had just closed when we arrived. We met at another restaurant nearby, and I finally got to have my dinner that had been delayed due to transportation issues earlier in the day. It was great meeting them in person and talking with them.

Harry Potter Store

The following day, I visited the Harry Potter Store. It was like a small Disneyland for Harry Potter fans, and I thoroughly enjoyed wandering around the store like I was a kid again (aside from the fact that I was an adult when the books came out). It is two floors and has a large phoenix statue in the middle of the round staircase.

One of my favorite Dumbledore quotes,
in the middle of the staircase

They have an area where you can find wands (replicas of the wands in the Harry Potter and Fantastic Beasts movies and Harry Potter and the Cursed Child). One room is dedicated to merchandise from each of the four Hogwarts houses. They have candy and treats mentioned in the books, as well as items from Weasley's Wizard Wheezes (such as extendable ears). Downstairs they have more treats, an area where you can have items personalized, Hogwarts trunks, robes, and more. They also have virtual reality experiences, which I didn't get to do, but hope to do next time I go. As you are exiting, they have a butterbeer bar, where you can get butterbeer and snacks. (They do not have pumpkin juice. I asked.) You have to drink your butterbeer there, but you get to keep the cups. They have a cleansing station where you can clean your cup before leaving.

World Trade Center and Battery Park

After leaving the Harry Potter Store, I took the subway to the World Trade Center. Before coming to New York, I painted rocks with Broadway quotes. I left my first one at the WTC. It had a quote from Come from Away: "Make me a channel of Your peace." I hope it found a good home!

The World Trade Center was a moving experience. The names of the victims are inscribed around the imprints of the two towers. So many names. Due to time constraints, I did not go to the memorial museum, but hope to do so next time I go.

Following the World Trade Center, I walked to Battery Park a few blocks away, where I left my second rock ("I am not throwing away my shot" from Hamilton). I saw the Statue of Liberty from a distance, though it left me wanting to see it closer up, as it was a small silhouette with cranes behind it from that angle.

Beetlejuice

That evening, I went to see Beetlejuice. I have seen the movie that it's based on, and I have enjoyed listening to the music from the cast recording, and it was great to see it onstage. I was struck by how different the theatre was from the Majestic. This one was at the Marquis, which is in a hotel. I went in the hotel lobby, and up an escalator to the second level where the theatre is. I was impressed with the set. It starts out in a graveyard, and most of it is in the house. Parts of act 2 are in the land of the dead. They had a large portion of the house onstage, and some scenes on the roof. It was a very complex set, and impressive the way they did it. Performances were also excellent.

The following day, we waited in line at the TKTS booth in Times Square, where you can get discount tickets to shows. While waiting in line, I left my third rock ("Shepherd's pie peppered with actual shepherd on top" from Sweeney Todd). After we were done at the TKTS booth, I left my fourth rock ("You're one of a kind, no category" from Six).

1776

While waiting outside the American Airlines Theatre, I left my fifth rock ("Paciencia y fe" from In the Heights).

I was struck once again how different this theatre was from the others. The auditorium was not nearly as long as other theatres. It was probably the most intimate of the ones I attended. I was in the back row in the balcony, but it wasn't all that far from the stage.

This set was much more simple than others. It mainly involved curtains, tables and chairs. 1776 was still in previews. It is an unusual take on the show, as the cast was all female and non-binary performers. They made no changes to the script, but I felt they nailed it.

Between shows, I left another rock ("This one could be one of the great ones" from A Bronx Tale).

Aladdin

I saw Aladdin in its pre-Broadway run, a few years before it reached Broadway. At that time I felt it had potential, but wasn't quite there. It had a song for Jasmine called "To Be a Princess", which was very much out of character for her, and I wasn't a fan. It also felt like a theatrical travel brochure for visiting Agrabah. The line "another Arabian night" got old. The "A Whole New World" scene was not fully developed yet, and the carpet just rose up and sat still while the stars rushed by on the backdrop. However, I loved that they put "Proud of Your Boy" back in. It was cut from the original movie, but it is one of my favorites in musical theatre. They even gave it reprises.

So I was excited to see how the show had changed since I saw it pre-Broadway. They addressed all my issues with the earlier version, and I felt while my previous experience had potential, this had met and exceeded that potential. The sets were better. "To Be a Princess" was gone, in favor of "These Palace Walls," which is much more in character for Jasmine. The carpet was much more impressive as it soared around the stage. The cave was much more impressive and sparkly. It felt more like the story I know and love than the travel brochure I felt previously. Michael Maliakel shone as the tallest and most expressive Aladdin I have seen. Sonya Balsara was a fantastic Jasmine and Michael James Scott killed it as the Genie. One of my favorite lines was when the Genie was talking about the lamp at the beginning of his show. He makes to pull the lamp out of his pocket, and instead pulls out a Statue of Liberty. He said something to the effect of "Sorry, I did a bit of pre-show shopping." He then put that back in his pocket and pulled out the lamp.

As the sign outside the theatre stated, my Broadway wish was indeed granted. Aladdin was one of the best parts of my trip. In fact, I even got to meet Sonya Balsara (Jasmine) the following day! More on that in my next post.

After the show, I left another rock ("A little reinvention" from Dear Evan Hansen, a show I would have loved to see on Broadway, but it closed shortly before I went.)

To be continued...

You Are Here: A Come from Away Story

September 2019

Eighteen years have passed since the horrifying event that ended the lives of so many innocents and left the survivors’ lives forever changed. Fathom Events sponsored the first wide US release of HBO Canada’s documentary You Are Here: A Come from Away Story. It tells the story of the amazing response by several small communities in Newfoundland when thousands of people from around the world were suddenly stranded “somewhere in the middle of nowhere.”

Several of All Things Broadway’s bloggers attended showings of the documentary in different parts of the country. Their thoughts follow.

Taking a Gander at Gander

By Michael Kape

When I arrived home from seeing You Are Here at the local cinema, my house guest asked, “So, how was it?” To which I replied, “I laughed. I cried. I was exhilarated. I was depressed. What more can you ask of a documentary than that?”

What more indeed? For those of us who’ve been blown away (and who hasn’t?) by the perfect musical, Come From Away, the opportunity to see the real people behind the fabulous story was too, too tempting. Onstage, we are charmed and delighted by the generosity of human spirit as exemplified by the people of Gander, Newfoundland. But, it’s a musical. Liberties must be taken with the facts (surprisingly few, actually). Could the real people of Gander be so self-effacing (“All I did was make sandwiches,” one Gander woman says in the film) and so thoroughly delightful at the same time?

Yes, they could. And they are. They are Gander, and it might be one of the most wonderful places on the planet.

We all know the story. On September 11, 2001, 38 planes filled with almost 7,000 scared passengers landed at the Gander airport. And that’s when the 9,000 people of Gander went to work. In five days, as the mayor notes, the Come From Aways (as people not from Newfoundland are called) went from being strangers to being friends to being family. And after seeing the real people behind Come From Away, I truly believe the people of Gander are exactly as portrayed in the musical.

The people of Gander can be uproariously funny as they go about the business of providing (and by providing, I include just about everything humanly possible). They move us to tears at times. Their stories thrill us by just how seemingly ordinary they are (though I would never call the people of Gander ordinary).

Yet, for those of us who remember 9/11, it was one of the most depressing moments in history. For those of us who witnessed the Twin Towers collapse before our eyes (I was stranded in New Jersey looking east from the office patio, and saw the buildings fall), it was horrifying. In a constant battering by bad news, one small story did stand out—the reports of what was happening in Gander. These left us all wanting to know more, but so little information was available at that time, and the efforts got lost in a raging sea of alarm.

No, we must never forget what happened on 9/11, but we should always remember that one single spark of bravura humanity lighting the way from a rock in the Atlantic Ocean. Gander. That sums up so much.

Source: https://www.youareheredoc.com/press

Returning to Gander and Paying it Forward

By Steven Sauke

We sat there in the movie theater staring at those images. We couldn’t look away. Snow flurries blew over a peaceful waterfall at the 9/11 memorial in New York while the audio from the black box on one of the planes played. It went back to the news footage from that horrible morning 18 years ago. It was like I was standing in my living room once again, aghast and emotional after all these years, even though I knew this time what would happen. Watching that plane fly into the World Trade Center. The ball of fire, the sudden gasp of shock, and then New Yorkers running for their lives.

Over the next hour, we would meet the people of the small town of Gander, Newfoundland and surrounding communities, who welcomed nearly 7000 “come from aways” suddenly stranded in a small town in the middle of nowhere. Many didn’t even know where they were at first. At least one come from away found out where he was when he called home and his family told him they had been tracking his flight. So many Ganderites dropped everything and worked together to provide for the needs of strangers. Teachers helped prepare their schools for guests. Bus drivers broke off their strike to transport everyone, because “our beef is with our employer, not these people.” The local news media broadcast the needs as they became known, and the citizens of Gander and the surrounding towns rose to the occasion. Over the next few days, they would offer rides, provide meals, clothes and other essentials. A couple would meet and fall in love. A mother and father would desperately search for their son, a firefighter in New York, and be helped and comforted by the mother of a firefighter in Gander. One plane was delayed leaving Gander because a passenger’s host had taken him moose hunting and they had to track him down. One line that really struck me was when Mayor Claude Elliott said that they welcomed nearly 7000 strangers on September 11 and 12. Soon they had 7000 guests. After five days, they said good bye to 7000 family members. Ten years later, many of the come from aways returned to Newfoundland. Throughout the reunion, visitors and Newfoundlanders alike spoke with a young couple who some took for college students, and were perplexed when they found out this husband and wife were planning to write a musical based on…making sandwiches?

They would be blown away by the result. As one person observed, Come from Away nailed it. The documentary continued through the workshop and Broadway premiere stages of producing the musical. You Are Here: A Come from Away Story was a beautiful retelling and intimate conversation with the people who made it possible. I felt like they were my friends. Since I met some of them a year ago, some of them are.

Rewind a bit.

A year ago, I interviewed several of the come from aways and Ganderites for an article on what happened those five days and following. When the national tour of Come from Away opened in Seattle, many of the people involved visited, and I was hoping to be able to meet some of them. After being showing unconditional love and kindness, Kevin Tuerff founded an initiative called “Pay It Forward 9/11.” Every year, he gives his employees $100 to go into the community and do random acts of kindness for strangers. Last year, I was one of his recipients. He told me he was giving me two tickets to a special screening of You Are Here in Ballard, a neighborhood in Seattle. My brother and I arrived at the theater and were welcomed by the owner, who said, “You are here, so you belong.” When he asked who we were connected with, I explained Kevin Tuerff had invited us. (That owner is well connected, as he appears briefly in the documentary at the Broadway debut.) Come to find out, almost everyone at the showing was somehow directly connected with Come from Away. Many of the come from aways and Newfoundlanders were there. I introduced myself to Nick and Diane Marson and thanked them for the interview. They then introduced me to Bonnie Harris and her sister. After the show, we were standing in the lobby next to Beulah Cooper, and she gave us hugs. Complete strangers. Oz Fudge was wearing his “STFD” t-shirt. Kevin Jung sat down the row from me, as did Brian Mosher and Janice Goudie. We sat behind Bonnie Harris, Beulah Cooper and Hannah O’Rourke. David Hein and Irene Sankoff were there, though I unfortunately did not get to meet them. Kevin Tuerff recognized me, and we got to talk and get a picture. Just now looking through my pictures from that day, I noticed Appleton Mayor Derm Flynn was also there. (Claude Elliott, Beverley Bass and Diane Davis were unable to make it to the screening, but I would get to meet Diane Davis a couple weeks later when she came to the show.) It was an unforgettable day, and I wanted to share this experience with others.

Oz and Lisa Fudge,
Director Moze Mossanen,
Producer Peter Gentile,
Kevin Tuerff

Hannah O’Rourke,
Beulah Cooper,
Bonnie Harris

Photos by Steven Sauke

Fast forward a year, and Fathom Events was finally hosting the first wide release showing in the US of the documentary. Kevin’s lesson is one I have endeavored to put into practice throughout the year, and this time, the opportunity presented itself again. I arranged for my family and two friends to watch the show. It was only after I ordered the tickets that I found out that one of my friends I ordered tickets for would be out of town and unable to make it. Kevin specifically advises showing kindness to strangers, so I posted in the Come from Away Fans Facebook group that I had a free ticket for anyone in the Seattle area who wanted it. I had exactly one taker, so it worked out perfectly. She brought her husband, who got a ticket at the box office, and when she offered to pay me back for her ticket, I politely declined and changed the subject. 

Steven Sauke and Michael Kape are recurring bloggers for All Things Broadway.

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This was a collaborative post that we wrote for the All Things Broadway blog, which is no longer online. I am sharing as much of the post as the respective authors have authorized me to reshare. :-)